Moving from Oregon to Maine has kept me away from my music for many months (including a whole lot of projects fixing up our 200-year-old house); however, I recently and finally got my creative studio set up again… which is a very good thing, because some musical passages have been clamoring to get out.
For quite a long time I have been inspired by “Arrival of the Birds” by Swinscoe and Smith, as well as Wygens’ theme song for “Escape to the Country.” And since I have just made such an escape, the timing for this song felt just right. These works are similar to one another in being cinematic, appealing to broadly sweeping and swelling development.
Given that classical feel, and no pressing topic about which to write that might involve a classical or operatic theme, on a whim I wrote the lyrics based on the descriptions of what I was getting the music to do (e.g., “pizzicato cello,” “melody in high violins,” and so on)… only poeticized (timpani isn’t just prompted or played, but rather it “rolls like thunder in the distance”).
There were a number of challenges with this song, such as writing the scores to play some of the parts through Muse Score (like the timpani and glockenspiel and the primary melodies and so forth).
The climax/apex (i.e., “dynamic swells on wide chords, bright chords burning...”) is one of my favorite parts, as it strikes me sensorily and emotionally. I am quite taken with it, and was intensely determined to preserve that passage as soon as it decided to make itself known to me. I feel like I have heard similar types of music, but I am not able to remember anything specific.
There are still some small bits here and there with which I am not entirely content, so I will tinker after the immediate familiarity wears off. But largely I am very, very happy with this song.
[March, 2026]
Hush in the hall…
pizzicato cello
staccato strings in the dark
low brass drones beneath a trembling heart
legato violins and lone viola breathe in slow
rising brass floats up from velvet shadows down below
timpani rolls like thunder in the distance
snare hits lock in…
heartbeat persistence
melody in high violins
woodwinds trace a steady quarter cello
bass line pacing
contrapuntal lines weave textures warm and tight
low brass accents hum in your bones tonight
dynamic swells on wide chords, bright chords burning
rising brass
the whole room turning
glockenspiel sparks on every peak
snare on 2 and 4…
the crowd can’t speak
orchestra flies all in
no hesitation
violins soaring over a lush foundation
upper strings in a blazing crescendo
timpani fire
brass in innuendo
first violin answers the cello’s call
motifs collide,
then rise and fall
woodwinds double the sky-high theme
rhythm section driving vivid dreams
staccato ostinato turns to a wave
(tremolo ostinato turns to a wave)
tremolo strings
brass bold and brave!
glockenspiel glissando on the last refrain
every chord a spark in the pouring rain
sustained low brass
eyelids closing…
string tremolo slowly decomposing
upper strings hold the final chord
then fade…
to silence
hush in the hall
hush in the hall
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